When Picasso's work came under the influence of the Surrealists in the late s, his forms often took on melting, organic contours.
Even the scrolling arms of the chair have been heightened and exaggerated to echo the rounded forms of her body. The face is a double or metamorphic image:
The two artists were engaged not just in competition even friendly competition but also in friendly dialogue.
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During the mid s Picasso's representations of the female form began to take on a aoreaggressively distorted and contorted form.
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